Thunderbolts (2025) Film Review

Ensnared in a death trap, an unconventional team of antiheroes — Yelena Belova, Bucky Barnes, Red Guardian, Ghost, Taskmaster and John Walker — embarks on a dangerous mission that forces them to confront the darkest corners of their pasts.

Thunderbolts is directed by Jake Schreier director of Robot & Frank (2012) and Paper Towns (2015). Thunderbolts is the 36th film in the Marvel Cinematic Universe. 

To say Thunderbolts is a breath of fresh air for the Marvel Cinematic Universe would be a huge understatement, a lot of the flaws to some of the more recent installments of the universe are not present here. Instead we get a lot of genuinely beautiful moments mixed with the film tackling some themes that might not exactly be groundbreaking in execution but the way the film goes about executing them is quite great. Combine that with some really strong acting, action scenes and engaging dialogue and you have yourself one of the best installments to the MCU in quite a while.

The performances are all fantastic across the board, everyone here gets a chance to shine even when some have very limited time on screening. Florence Pugh is one of the major standouts, she carries a lot of the dramatic weight of the film and puts so much passion and power into Yelena as a character. The character moments we get from her is quite beautiful and even heartbreaking at times, there are moments here that actually make the viewer tear up a bit, Pugh is a powerhouse actress as I’ve said in the past and here is no exception. She’s able to really build this whole different look to Yelena that are different from her past appearances while also complimenting them as well, Pugh is also able to have this wonderful balance between her dramatic moments and her comedic ones. The humor is actually quite hilarious here so Pugh is able to take advantage of it and work her magic, lastly the action scenes with Pugh are fantastic and always a treat to watch due to how committed she really is. 

Lewis Pullman who plays Bob or Sentry/Void is the other major standout, he delivers this complex and sympathetic character who is constantly at war with himself. At first he may not seem like much but as the film goes on we see the character building in action which quickly pushes Pullman to one of the film’s best assets, this where the theme of mental health kicks in and it is very well integrated into Bob’s character arc. There’s one particular moment that is a highlights this incredibly well, Pullman just overall gives a fantastic performance that is truly beautifully done. Much like Pugh, he’s able to have this balance of dramatic and comedic moments. The timing is especially well done and his facial acting combined with his character clearly struggling gets the viewer more and more invested as it goes on. 

Sebastian Stan, Wyatt Russell, Hannah John-Kamen and David Harbour are all quite great, they all work incredibly well together. The banter between them is fun and the team chemistry is filled to the brim with charm, even if some get more bigger moments than others you still are invested in these characters. All of their personalities all blend together very nicely and have this genuine connection, it helps that the writing actually does help build these characters. 

Speaking of which the script from Eric Pearson and Joanna Calo is truly fascinating here, not only is it a very fun time with humor that is genuinely fun. But there is a lot of dramatic moments that help push these characters, these moments help build them into something the viewer can connect with and there’s a lot of successful moments like these throughout the film. The theme of mental health although not exactly groundbreaking (as I said before) still feels like it’s coming from a place of honesty and shows what people can go through when they are at war with themselves (obviously in a more comic book way with giant voids but you get the point.) 

The action scenes are incredibly well done, they are very well detailed the stunt team seriously knocks it out of the park here with quite honestly some of the best we have seen from the MCU. The cinematography from cinematographer Andrew Droz Palermo is beautifully done, pays a lot of attention detail and has this large in scale feel that really captures the world of the film. It is the epic massive beast of a picture that is striking and lets the viewer look around at many given opportunities.

Overall Thunderbolts is a huge step in the right direction for the MCU, the film has a lot of the spirit of what made the Guardians Of The Galaxy films so great and even does it’s own thing as well. Even apart from the MCU (the film does not really have any easter eggs) the film is still fantastic and is just an overall excellent film that is both fun and filled to the brim with heart. 

Thunderbolts is currently in theaters

10/10 A+

Echo Valley (2025) Film Review


Kate’s secluded life is interrupted by her troubled daughter when she shows up frightened and covered in someone’s blood. As Kate unravels the truth, she learns how far she’ll go for her child.

Echo Valley is directed by Michael Pearce director of Beast (2017) and Encounter (2021).

Echo Valley is one of those films where there really is just not a whole lot to discuss, it’s a prime example of a thriller that might have worked much better (and might have even performed okay) back in the 90s. But it’s straight to streaming so here we are, despite that the movie is not terrible as it does have some really strong performances and there’s some thrills here. There is just not a whole lot going on here when it comes to the script. 

The performances are what mostly save this movie from being weaker, Julianne Moore, Sydney Sweeney and the rest of the cast such as Domhnall Gleeson give such strong performances. Moore really does a fantastic job at playing a grieving partner while also being a desperate mother she’s able to jump from one to the other quite masterfully and is able to throw in this power element into them both. It’s a strong performance that helps lead this film to the finish line even when the script is a bit generic, Moore is able to make certain scenes all the more powerful. 

Sydney Sweeney plays an out of control and manipulative daughter, Sweeney once again shows a more dramatic role and much like in Reality (2023) she knocks it out of the park. There’s some really strong scenes that Moore and Sweeney share throughout the film that are some of the best moments, the mother-daughter element was solid even if it was on the more predictable side of things. Sweeney also does a really good job of capturing the atmosphere the film is going for which is this gloomy and depressing feel, she’s able to take that and show it through her performance. 

While the writing is not necessarily bad, as I said before there’s just really not a whole lot going on here. There’s a lot of predictable plot points and it does not help the movie feels like a bit of a slog to get through. The third act although still a bit predictable does manage to pick the movie up a bit and manages to bring some energy to the film. 

Ultimately what hurts Echo Valley is there is just not anything new here and not a lot going on, strong performances can only do so much with a script that really lacks depth and does not really go into its themes and great detail. It’s a shame because there was a decent amount of potential, but a lot is just missing here. 

Echo Valley is definitely not the worst thriller out there but it’s one that is stuck in the middle of the road, it’s only thanks to the performances from Moore and Sweeney that this one is at least a bit more memorable than others. 

Echo Valley is available on Apple TV+ 

5/10 C

Tribeca Film Review: How To Train Your Dragon (2025)

On the rugged isle of Berk, a Viking boy named Hiccup defies centuries of tradition by befriending a dragon named Toothless. However, when an ancient threat emerges that endangers both species, Hiccup’s friendship with Toothless becomes the key to forging a new future. Together, they must navigate the delicate path toward peace, soaring beyond the boundaries of their worlds and redefining what it means to be a hero and a leader.

Tribeca Review 

How To Train Your Dragon is directed by Dean DeBlois director of the How To Train Your Dragon trilogy and Lilo & Stitch (2002) along with Chris Sanders. 

The How To Train Your Dragon films are incredible and are a prime example of a series that really focused on introducing new elements with each installment and figuring out ways to get better and better. Each one has something unique to them which truly makes them special and well remembered. To say that a live action film for the first film is an odd choice would be understatement, even though the clear reason as to why is money. Despite that however this one manages to be one of the far better live action remakes and I really have to attribute that to DeBlois being in the director’s chair because he did quite a splendid job here. 

The performances work very well, Mason Thames does a great job as Hiccup. He had a lot to carry on his shoulders but he manages to really put his own energy into the character, he’s not trying to do an impression of Jay Baruchel. He’s doing his own thing while also being faithful to what makes Hiccup such a great character. The bond between him and Toothless is something the film is able to capture quite well and really does bring a smile on your face, it’s mainly thanks to Thames’s performance that really holds these memorable moments together. 

Nico Parker as Astrid is quite great, much of what I said about Thames making Hiccup his own can be applied here with Parker making Astrid her own. It helps that the chemistry between the two is genuinely adorable and their acting bounces off of each other very well. Gerard Butler reprises his role as Stoick and much like in the original film does really well, the father-son dynamic is strong and translates well. Nick Frost as Gobbet is different yet it’s welcome, he actually does have some genuinely funny lines here that worked. 

When it comes to a technical aspect the film is excellent, the cinematography is genuinely beautiful and the film is undeniably very well made. Combined with the location you do get this sense of adventure and wonder that the original film had and that’s felt throughout film. This is something that a lot of other live action remakes tend to miss so it is refreshing to see one of these films actually look beautiful as well as managing to capture the spirit of the source material, some might say “that’s the bare minimum they should all be doing that” and that is not necessarily wrong but seeing how a majority of them have completely opted to not do that I say this is kind of shocking, 

With all of that being said at the end of the day this is very much a shot for shot live action remake with small differences in between. Even though it’s a faithful one and admittedly a pretty well directed one, it does not really do anything that the original film did not do. The original film is far and away a better film simply because the emotional impact is far more present in that film than it is here, while there are touching moments here that can get the viewer to connect with these characters all over again. Seeing the same film again but in live action does not quite strike up the emotional impact. 

Overall How To Train Your Dragon is still a fun time, if you liked the original film you will probably get a lot out of this one. Just don’t go in expecting anything different because you will not get that here. This is a film I will probably never go back to, but I would be lying if I said I did not have a decent time with this one.

How To Train Your Dragon releases tomorrow in theaters.

7/10 B

Tribeca Film Review: Relay (2025)

A broker of lucrative payoffs between corrupt corporations and the individuals who threaten them breaks his own rules when a new client seeks his protection to stay alive.

Relay is directed by David Mackenzie director of The Last Great Wilderness (2002), Perfect Sense (2011), Hell Or High Water (2016), Outlaw King (2018) and many others. 

Relay is has the misfortune of being one of those films where you have two incredibly solid acts and then completely fumble the ball with the third act. Despite that however I do not think this is a bad movie, that’s mainly due to the performances and the first two acts being that strong. 

Riz Ahmed once again knocks it out of the park, he has very limited dialogue during the first bit of the film but slowly but surely opens up more and more. He gives such a great performance that really displays how talented he is as an actor, his body language during his silent portions are enough to really bring you towards his character Tom/Ash. His speaking portions are just as great and are effective with one of the themes the film tackles loneliness, while it could have been tackled a bit harder I do think that the film does a great job of incorporating it into the story and it helps develop Tom/Ash as a character. It helps that Ahmed is a powerhouse actor and can easily bring this feeling of loneliness to the viewer. 

Lily James is also quite great in fact this is definitely one of her most striking performances, you can see the fear in her character Sarah Grant’s eyes as well as the suspense. Lily James also brings this natural performance into the mix that helps make the atmosphere all the more thrilling, she’s able to capture this feel of the classic paranoia thrillers of the 70s and 80s that the film is going for quite well. She’s a natural fit that does often lead to some quite suspenseful scenes, there really is not much in the way of character development for Sarah but Lily James’s performance alone is more than enough to make up for it and keep things interesting. 

Sam Worthington and Willa Fitzgerald are also fun, not a whole lot about their characters is really explored but there really did not need to be. Worthington arguing with the relay operator humorous bits that admittedly did get some laughs out of me. 

As I said earlier the film is going for this feel of the classic paranoia thrillers of the 70s and 80s, which for the first two acts the film excels at doing so. Each and every scene you can feel the thrilling atmosphere creeping on you, combined with the acting these make for some very tense scenes that quickly get under the viewer’s skin. It helps that the score of the film is quite strong as well and really matches the atmospheric feel the film is going for. 

Unfortunately when the third act rolls around that’s when the film quickly falls and never gets back up, what was once a thrilling ride that moved at a nice and easy pace becomes a much more action focused and not very well explained or throughout out plot twists that completely take away from the film. The action segments feel very out of place compared to the rest of the film, the plot twists completely take away a lot of what made the first two acts so great and the writing feels like it was written by a completely different person. It’s a bizarre choice that ultimately costs the film. 

Overall Relay is still a decent film thanks to the performances by Riz Ahmed and Lily James who make it worthwhile as well as the atmosphere. But it’s such a frustrating experience that really makes you wish that the third act matched the well written and thrilling nature of the first two acts. 

Relay releases August 22nd in theaters

6/10 C+

Dangerous Animals (2025) Film Review

A shark-obsessed serial killer holds Zephyr, a rebellious surfer, captive on his boat. Racing against time, she must figure out a way to escape before he carries out a ritualistic feeding to the sharks below.

Dangerous Animals is directed by Sean Byrne director of The Loved Ones (2012) and The Devil’s Candy (2015) 

Dangerous Animals is quite an interesting one, while yes there are sharks in the film it’s sort of a stretch to really call it a shark movie. With that being said the film does take the shark movie element and ends up being quite well executed. 

The performances are all quite fantastic here and help bring this grounded nature to the film, Jai Courtney is both hilarious and quite intimidating here. He channels Nicolas Cage (I mean this in the best way possible) while also giving the viewer this feel of unease. If it’s one major thing that Sean Byrne is incredibly effective at it’s making the villains of his films terrifying in this way that gets under the viewer’s skin. Combine that with Courtney’s performance that he goes all out with and you have yourself a terrifying ride. Courtney’s commitment to the script combined with a buffalo bill like performance makes each and every scene more thrilling than the last.

Hassie Harrison is also quite great here, her character Zephyr is incredibly likable right from the start and the surprisingly decent love story between her and Moses (played by Josh Heuston) really does make you root for her. Much like Courtney, Harrison does a really solid job of giving this raw performance that you can really tell she went all out with. The fear in her voice and eyes, the cries for help and the survival instincts really are striking which really gives her performance that much more power. Harrison’s interactions with Courtney lead to some of the film’s best moments that are filled to the brim with thrills and a dark atmosphere, the two’s acting combined together really make what otherwise be an average horror thriller into something interesting.

The atmosphere is dark as I said before but it is also backed up by Sean Byrne’s direction. Byrne likes to really bring this dark atmosphere into his films to the point where it could be disturbing to some, he does such a great job at doing so with this film. Not only is the atmosphere dark but this time around it’s claustrophobic, a majority of the film is on a boat with very little places to run and hide. There is a ton of suspense going on here that never leaves the viewer, it throws you off with some humor in a good way. It’s just the right amount of humor to not distract or take away from the film, it’s done in this darkly funny type of way that adds to the atmosphere. 

The script from writer Nick Lepard is well done and leads to plenty of terrifying moments that will quickly get under the viewer’s skin, the gore is also quite great there might not be as much as there was in The Loved Ones (2012) but it’s still effectively used and adds to the overall terror of the film. The film does take a bit to get going at the start, some of the earlier scenes are admittedly a bit on the generic side of things, however once the film gets going it only goes up from there. 

Overall Dangerous Animals is a very strong film, it’s a gnarly and thrilling ride that has two incredibly well done performances, a strong script and effective direction. This is one I recommend giving a go! 

Dangerous Animals is available in theaters!

8/10 B+

The Wedding Banquet (2025) Film Review

Hoping to stay in the country, a gay man proposes a green card marriage to a female friend in exchange for paying for her IVF treatment. However, things soon get complicated when his grandmother surprises them with plans for an extravagant Korean wedding banquet.

The Wedding Banquet is directed by Andrew Ahn director of Spy Night (2016), Driveways (2019) and Fire Island (2022). The film serves as a remake of the 1993 film of the same name which was directed by Ang Lee. 

The Wedding Banquet is a remake that could have easily went in a terrible direction, but luckily there was incredibly talented people involved who all do a fantastic job here. The film obviously does not come anywhere close to Ang Lee’s film, but that what we have here is nowhere near bad. In fact this just adds to Ahn’s impressive directing work. 

The cast is what really makes the film here, The Wedding Banquet is one of those films that actually gives most of the main cast time to shine. While some get bigger moments, the ones who are not present as much or have smaller moments make the most of it which ends up giving some genuinely heartwarming parts of the film. As a whole the cast really does a fantastic job connecting with one another and the chemistry between one another feels quite raw.

Lily Gladstone is really great although a bit under utilized, but the moments we do get with her show her talent off quite well. It’s also quite a different performance from what we have seen. Kelly Marie Tran really hits it out of the park and is the standout, her ability to switch from being comedic and more dramatic is truly phenomenal. Joan Chen and Youn Yuh-jung are also solid here as well, both contribute great performances that are given substantial roles so they have a decent amount to work with. 

Something I do love about this film is it’s not trying to be the original, it goes in the direction of how this situation could feel for a different generation of audiences. It’s a very interesting way of going about it but it actually works in the film’s favor, the writing compliments this further as well which leads to some quite beautiful moments. 

The direction from Andrew Ahn is really strong here, much like in his previous work Ahn’s main priority is making sure the viewer connects well with the cast and he does that once again with this film. It might not be on a grander scale of his previous work (Bowen Yang does struggle a bit with the more dramatic moments), but due to the sheer likability and the cast connecting so well together Ahn’s direction fits like a glove for this film. 

Overall there is not anything groundbreaking going on here with The Wedding Banquet but it is undeniably a charming little film that gets the job done! 

The Wedding Banquet is available on all VOD platforms. 

7/10 B

Mountainhead (2025) Film Review

A group of billionaire friends get together against the backdrop of a rolling international crisis.

Mountainhead is directed by Jesse Armstrong which is directorial debut. 

Jesse Armstrong tries to recapture the energy and power he put into Succession but completely misses here for a number of reasons that quickly pile up as the movie goes on. Combine that with the movie really not saying all that much with what it’s trying to be a satire of (billionaires) and you have yourself a very forgettable and dull ride. 

The performances are fine enough here, Steve Carell, Jason Schwartzman, Cory Michael Smith and Ramy Youssef have some fun chemistry between one another and even manage to stick a few jokes in here that are decently funny. With that being said they can only do so much, the characters are just not that interesting, they are very unlikable which I get is the point. But they are unlikable to the degree where it’s not investing mainly due to everything surrounding the movie being completely empty. 

The writing has its moments of humor but that is where it really ends, when it comes to actually tackling themes the movie either does not say anything new or completely drops the ball. It meanders for way too long and ultimately does not have a main point, it kind of just wastes the viewer time by making them think it’s going to say something towards the end and shoehorns half a dozen empty ideas into the movie. 

The third act really plays out like Armstrong ran out of concepts to explore so he threw in a bunch of fluff that ultimately does not serve any point to the story. It’s quite honestly the most bare bones way you could satirize billionaires, everything that is said here has either been done before or is incredibly common knowledge that does not need to be repeated for the thirtieth time. 

Overall Mountainhead is incredibly forgettable, the cast is by far the main appeal which in fairness they all do a great job. It’s just a shame the movie surrounding them wasn’t the same quality. 

Mountainhead is available on HBO Max.

4/10 D+

Most Anticipated Films Of June 2025!

May flew by quickly! We got a lot of great films out of May and June seems to keep things up some great looking releases.

In addition to new releases I’m going to do be doing Tribeca Film Festival in person this year, so keep an eye for Tribeca reviews! Anyways here is the list

10. Best Wishes To All – June 13th (Shudder)

9. Ballerina – June 6th (Theaters)

8. Echo Valley – June 13th (Apple TV+)

7. Dangerous Animals – June 6th (Theaters)

6. Materialists – June 13th (Theaters)

5. Predator: Killer Of Killers – June 6th (Hulu)

4. The Phoenician Scheme – June 6th (Theaters)

3. Sorry, Baby – June 27th (Theaters)

2. The Life Of Chuck – June 6th (limited) and June 13th (wide)

1. 28 Years Later – June 20th (Theaters)

Hurry Up Tomorrow (2025) Film Review


Plagued by insomnia, a musician gets pulled into a nightmarish odyssey with a stranger who begins to unravel the very core of his existence.

Hurry Up Tomorrow is directed by Trey Edward Shults director of Krisha (2015), It Comes At Night (2017), and Waves (2019) 

The main reason why it took so long to review Hurry Up Tomorrow is because I kept going back and forth on whether or not I liked this, even currently I’m still not 100% sure what to make of it. This sort of hurts because I do love Trey Edward Shults, all of his previous films are some of the best films of the 2010s and even though Abel (The Weeknd) had The Idol (2023) under his belt there are many cases of many artists coming back with something stronger. Which in some ways this is absolutely stronger than The Idol (2023) but in other ways there really isn’t that much improvement. 

Starting with the performances, Abel is better here than he was In The Idol (2023) that’s mainly due to the script being a lot more toned down. In this film he plays a fictionalized version of himself, while I do get what he was going for and I actually do not think he was terrible. There were a lot of moments of his acting that really needed a lot more power to them, there’s one particular moment I do think Abel nails down decently well but unfortunately that’s not quite enough to really say he gave a great performance. His performance feels very closed off for people who are not very familiar with Abel or his music, which I do think is ultimately the huge problem with the film (that I will get into later.)

While Barry Keoghan (who plays Lee, Abel’s fictional manager) is not in the film all that much, he does land a solid performance. The thing about Keoghan is that he thrives when playing absurd characters, there’s one ridiculous scene where in most cases you would mark it as terrible. But Barry makes it work, there’s one scene of him with Jenna Ortega that’s also quite solid as well, it’s clear that he has having a blast with the performance and using the time he has on screen as much as possible. 

Finally there’s Jenna Ortega who is far and away the best part of the film, she really goes all out in this performance that portrays Anima a disturbed character who can snap at any moment. She channels Patrick Bateman from American Psycho (2000) masterfully, she’s intimidating in this unusual sense that creates a lot of the film’s atmosphere. She is given such an interesting character that while the film could have explored a lot more, Ortega manages to make work due to her facial acting, body language and some of her silent moments that can make the viewer uneasy. Her character is also by far the most interesting part about this, she gives the viewer several questions throughout the film such as who is she? What’s her story? Why is she running? Among many other questions. This is by far one of Ortega’s best performances and really shows how committed she really is to her work, without Ortega Hurry Up Tomorrow would fall flat immediately.

The cinematography from Chayse Irvin is incredibly strong here, the film has this cross between a dream and nightmare like look that adds to the film’s atmosphere. It’s quite effective during the later half of the film where the film’s horror elements kick in, the beginning portions also have some quite beautiful shots that really paint this beautiful yet haunting picture of what’s to come. The first half resembling a dream while the second half resembling a nightmare, it’s a quite clever contrast that while the film captures well has one huge misstep. 

The main problem here is the script, some of it comes from a problem I hinted at earlier. Which was if you are not familiar with Abel or his music you are out of luck, it’s fine to throw references but mainly focusing on references in the sake of sacrificing the script is always going to hurt your film. The story itself does not go deep enough unfortunately, we are left with a lot of questions and throughout the film we are almost told nothing. I talk about wanting to invest the audiences as much as possible in my reviews, cases like this are why it’s important Hurry Up Tomorrow really fails in that department. Unless you are a fan of Abel you are going to be confused and lost, the story itself is unfortunately not large enough to keep the viewer hooked for very long. 

Despite my issues with Hurry Up Tomorrow I did have a solid time with it, I don’t think it’s as bad as some have made it out to be. But I can absolutely understand where people are coming from, it’s a film that could have been so much more had the writing been improved I think there could have been something really great here. 

Hurry Up Tomorrow is currently in theaters and releases on all VOD platforms June 6th. 

6/10 C+

The Legend Of Ochi (2025) Film Review

A young girl learns to never go outside after dark because of reclusive forest creatures known as the ochi. However, when a baby ochi is left behind by its pack, she embarks on the adventure of a lifetime to reunite it with its family.

The Legend Of Ochi is directed by Isaiah Saxon which is his directorial debut.

The Legend Of Ochi is one of those E.T. (1982) movies, you know the ones where a child discovers a creature and has to protect it and help it return home? You have probably seen at least one of these films before, while this one does not do a whole lot differently there is still a lot of charm here especially when it comes to the visual style. 

The performances are solid, Helena Zengal who plays Yuri gives a lovely and charming performance. Her performance is not that much different than what you would expect from these types of movies, however there is heart here she clearly pours so it ends up working in the long run. Willem Dafoe and Emily Watson are both great here as well, their performances might not be some of the most memorable they have ever done but they are clearly having a blast and are committed to the roles. 

The visual style of the film is what stands out here and quite honestly makes the film worth a watch. It takes on this dreamlike children’s book style that you almost feel like you are being transported into the film’s world. Saxton is primarily a music video director so it is no surprise that the visual style is the main priority here, a lot of the visuals do so much of the talking when it comes to world building mainly due to the script just not being that investing (we will get to that in a second.) So when you have some large in scale scenes that show off the visuals you get a bit more of a description of the world, the Ochi as creatures are also cute and while they may not be the most developed creature ever put to film. The bond between Yuri and the baby Ochi is admittedly very cute and filled to the brim with charm. 

What holds this film back from being great mainly comes down to the script, it is a very basic E.T. (1982) like film at the end of the day. There’s not a whole lot going on here character wise, while the performances have charm the characters unfortunately do not get a lot of development and very much fit the character types you would expect from a film like this. Finn Wolfhard’s character Petro for example just feels there, the movie does not do all that much with his character. The only element that’s really keeping the viewer invested is the charming bond between Yuri and the baby Ochi, if you take that away you are left with some incredibly neat visuals but that can only keep the viewer invested for so long. 

Overall The Legend Of Ochi is flawed but it has just the right amount of charm to give this one a look, the visuals are fun and the acting is decent. This is one that I’m probably never going to come back to, but despite my issues I do recommend giving this one a look if these are your types of movies.

The Legend Of Ochi is available on all VOD platforms.

6/10 C+