Dark Glasses is Dario Argento’s first film since Dracula 3D (2012) and is yet again another one of his weaker films. Dark Glasses isn’t necessarily bad as it is just very very dull. There’s some ideas here that work and it’s actually decently crafted when it comes to filmmaking, the rest of the movie mainly the script is incredibly lacking and is essentially a very watered down Argento film, the opening is definitely decent and is very promising but everything after that is a mixed bag.
Dark Glasses is available on Shudder.
I really don’t know what to exactly say here, Dead For A Dollar is terribly put together western revenge movie that is the very definition of predictable. Outside of the cast who tries their hardest with such a dull script there really isn’t anything here that’s any different from other revenge western films, the script is just begging for some sort of substance but instead gets a very traditntal revenge plot that doesn’t do anything in the way of development or character moments. Willem Dafoe is by far the standout but even he is restricted to how much of his talent he can really put in, due to the script giving very little to work with.
Dead For A Dollar is available on all VOD platforms.
Madelaine Petsch and Chloe Bailey are both great here and completely hold this movie together from falling apart, however a lot of this movie really boils down to a PSA about bullying and why using your friend who died Facebook account to get back at people is not a good thing. There’s some fine enough moments here mostly because the atmosphere does have a few thrilling moments, but the movie really tries to shoehorn some psychological thriller elements that come off as goofy mainly due to them not fitting into the story being told. There’s been high school movies that have done a far better job of telling this exact type of story before and there will be plenty more in the future. So Jane really just comes off as something where after you finish watching it you will quickly forget about it.
Jane is available on Creator+
The Good House has a really strong performance from Sigourney Weaver and there’s a few touching moments that have heart, however what seriously kills this movie is the many tonal shifts, often times it treats subjects such as alcoholism as some cute moments and then other times it treats it as a serious subject. It’s very baffling to say the least, there’s also some strange fourth wall jokes here that completely don’t fit into the story the movie is trying to tell. Outside of that it’s a very typical adult romance movie that really doesn’t have anything going for it outside of Sigourney Weaver. The rest of the cast are fine and the family elements aren’t too bad here, but this definitely needed a huge rewrite.
Terror On The Prairie is another movie from The Daily Wire which earlier this year released Shut In, which I reviewed and to sum it up it’s the most nothing special about thriller you could watch. Terror On The Prairie is a step up from Shut In but that’s not saying much, the biggest problem with this movie is that it’s very soulless. The acting is all around pretty okay, but what bogs It down is the direction and writing. There’s no style to it at all they took what could have been an interesting setting to mix with the atmosphere and somehow made it very dull and forgettable, when you mix that with the script that is very bare bones and doesn’t say anything outside of a lot of western movie cliches. You get a movie that really doesn’t know what it wants to be, it most certainly doesn’t feel like a thriller as a lot of the scenes that are supposed to be suspenseful are very empty. Which again is mainly due to the direction being incredibly lifeless, the lack of a soundtrack while trying to be suspenseful also does not work here at all. In some other movies this actually works quite well but the difference is those movies have a far better directing style, while this movie doesn’t. Overall Terror On The Prairie much like Shut In does not have a whole to it, it’s a very unremarkable movie that’s added to the genre.
Montana Story is a film I wanted to like a lot more than I did, but from what’s presented it’s a very decent movie. For starters Haley Lu Richardson and Owen Teague are both fantastic in the leading roles, they have great chemistry between one another most of the heavy lifting comes from Richardson who’s always a powerhouse whenever she’s on screen in anything she’s in. The 35mm camera combined with the setting is beautiful and really captures a calming atmosphere that brings the viewer into the film, what hurts the movie a bit is mostly how the film wraps up. There’s definitely some powerful moments in there but it seemed like the movie was building up to something bigger and sort of just dumped it all in a very short span, plus the pacing is way too slow a lot of the time that could definitely take you out of the film. However Montana Story is a very well made film that I do recommend checking out.
The Power Of The Dog is another showcase of just incredible Jane Campion as a filmmaker, this is her first film in 12 years and the long wait was most definitely worth it. Benedict Cumberbatch has been in quite a few films this year but his performance in The Power Of The Dog has the most strength to it, he plays a character who has dealt with pain, there’s also agony and a lot of other emotions that help build his character. It’s a very interesting character study of him and he has this journey about his emotions. Kristen Dunst and Kodi Smit-McPhee are both fantastic, they each bring something truly special to the film, Dunst giving a very raw and classic western type feel performance that feels like it’s out of the classic black and white film era. And McPhee giving a performance that follows Cumberbatch’s character that is just as interesting and as powerful. The film itself has a old soul to it, it feels like it’s straight out of the classic film era with some darker twists, the style the film went for which was being violent without being violent was done in such a unique and interesting way. The film shows that violence can come in many different forms, most of it here is done psychologically which fits the film quite well. The cinematography compliments the whole theme as well with beautiful shots and a dark atmosphere that brings a ton suspense and mystery to the film. Jane Campion’s direction is brilliant she really hits it out of the park when it comes to bringing a sense of rawness to the film, she also makes every character as interesting as possible. Giving them a ton of development, with monologues, quiet scenes and heavy hitting moments that really capture the important parts of character development in film. Overall The Power Of The Dog is one of the best films of the year, it’s a slow burn with several haunting elements that gives the film a lot of power. It most definitely won’t be for everyone but if you do watch it be sure to go into the film knowing as little as possible!
I’m not normally huge on Westerns but I really have to say The Harder They Fall takes the western genre and does something completely different with it. The Harder They Fall is mostly for the fantastic cast and rightfully so, because everyone involved does such a fantastic job with the roles they are given. Each of the cast brought something to the film Idris Elba, Jonathan Majors, Regina King, Zazie Beetz, LaKeith Stanfield and Delroy Lindo in particularly are very strong and show a range of emotions. The filming combined with the editing is absolutely beautiful, this is one of the things The Harder They Fall does differently than a lot of westerns…it’s fast paced as well as being stylish. It has a unique style to it that gives the film a ton of energy, a lot of westerns tend to be very slow but that’s not the case here. The Harder They Fall is also 2 hours and 19 minutes long but does not feel like that at all, mostly due to how interesting the story is combined with the editing that makes it go by quickly, overall The Harder They Fall is a excellent film, I highly recommend giving this one a go!
First things first I respect Clint Eastwood in terms of filmmaking he’s 91 years old and still acting and directing! With that said Cry Macho is a very traditional Eastwood film with honestly not a whole lot to comment on. The acting is overall pretty strong particularly from Fernanda Urrejola, Eastwood is definitely not bad here he’s just done far better in other films. The filming is actually what I was scared about going into this movie, from the trailer it really looked cheaply made with very little style to it. Luckily that’s not the case here, Cry Macho has some great filming during certain moments that stand out quite well. Honestly what hurts Cry Macho the most is that it’s a lot like the other westerns Eastwood was in years ago, it doesn’t build a special identity for itself, however it does feel like a throwback film to the western film era so maybe that was the intention. If you are a fan of Clint Eastwood you will definitely like this one, it’s not one of his crowning achievements but it’s solid enough for a recommendation.
Cry Macho is now available in Theaters and on HBO Max!
Prisoners Of The Ghostland was a no brainer for me to see at Sundance, I heard so much about it and it’s been on my radar for quite a long time now. I’m happy to say that Prisoners Of The Ghostland is the definition of a bizarre film and I mean that in the best way possible. Nicholas Cage has a ton of moments that are just flat out incredible, everything you want in a Nicholas Cage film is here. The film itself is a huge blend of several genres such as action, western, fantasy, sci-fi and what the film manages to do with those genres is create something truly unique. Nicholas Cage gives a fantastic performance as well as Sofia about Ella, both of them really shine here and commit to the roles they are in. What surprised me the most here is how incredible the cinematography and the costume design are, both of them really add a whole lot to the film and really set the theme and tone throughout the film. The writing is overall pretty great, the cinematography really tells the story here along with the costumes. Which is kind of interesting but the costumes really did tell the story, lastly it’s just a blast of a film. It’s so much fun while being really great. Overall Prisoners Of The Ghostland is some of the most fun I’ve had so far this year, any Nicholas Cage fan will love this! I definitely recommend watching this one when it comes out!
Yeah this barely did anything for me, No Man’s Land is by Conor Allyn who previously did Walk.Ride.Rodeo which was a terrible Netflix original, this is definitely an improvement but that doesn’t make it good. Frank Grillo is great as always, he does a decent job with what he’s given. The filming is quite beautiful there are some great shots that capture the beauty of the setting really well. That’s where it ends for me, Jake Allyn is just not interesting enough as an actor to keep you invested into the film, it feels way too long with a running time of 114 minutes but feels like 2 and half hours long. There’s a lot of scenes that could have easily been cut as well, the character development also has a tough time here. While yes there is some of it there really isn’t enough for audiences to get completely invested into the characters. Overall a very forgettable movie, I can easily see why IFC did not advertise this at all.