Pretty Lethal (2026) Film Review

Five ballerinas find themselves in a fight for their lives when they seek shelter at a mysterious roadside inn that’s run by a former ballet prodigy.

Pretty Lethal is directed by Vickey Jewson director of Lady Godiva (2008), Born Of War (2014) and Close (2019).

Pretty Lethal is basically if you took the John Wick franchise and put in five ballerinas, the movie has its flaws the major one being the character writing. However the final result is admittedly quite fun due to the action, kills, fight choreography and the chemistry between the cast.

While the performances here aren’t going to hit the ball out of the park, they are far from bad. Maddie Ziegler, Iris Apatow, Lana Condor, Millicent Simmonds and Avantika all work together quite nicely especially during the action scenes where they use some team up techniques. You can really feel the passion and fun through these scenes, as I said before the character writing has its issues. We really do not get a whole lot of information about the girls outside of Bones (played by Maddie Ziegler) and Princess (played by Lana Condor), even then it is very surface level at best. Despite that however the girls are able to make it work and deliver satisfying enough performances. Uma Thurman gives an incredibly campy performance that is entertaining enough to stand (although the dialogue really does not help in some cases.)

The fight choreography combined with the kills are the movie’s best parts, the kills are surprisingly brutal and match the thrilling atmosphere the movie is going for. The fight choreography is especially impressive when the previously mentioned team up techniques are shown off, it feels like the cast is in sync with one another which actually tells a lot more about their bond than the script ever does.

The main problem here as I said before is the character writing, it ranges from not being really present to surface level and that becomes apparent later on when the movie tries to bring in the emotional moments which sadly do not really work. They feel very tacked on and while the acting works decently enough, the corny dialogue that rears its head is not doing the movie any favors.

Overall Pretty Lethal is decently fun, it’s not a great movie and it’s completely understandable if someone checks out of this movie early on. However I would be lying if I said I did not have fun with it, the movie does just enough to satisfy the viewer if they are looking for great kills and excellent choreography.

Pretty Lethal is available on Amazon Prime Video.

6/10 C+

Hedda (2025) Film Review

HEDDA (Tessa Thompson) finds herself torn between the lingering ache of a past love and the quiet suffocation of her present life. Over the course of one charged night, long-repressed desires and hidden tensions erupt–pulling her and everyone around her into a spiral of manipulation, passion, and betrayal.

Hedda is directed by Nia DaCosta director of Little Woods (2018), Candyman (2021) and The Marvels (2023).

Nia DaCosta knocks it out of the park with Hedda, a very confidently directed film that displays tons of fantastic performances, visually stunning, and some clever build up that captures the atmosphere that is needed to make the film work in the end.

The performances are a delightful to watch, Tessa Thompson gives a career best worthy performance that fills the screen with passion for her character Hedda. Thompson is able to show her acting power here which leads to a complex and layered performance, she brings Hedda to life as this character who is a agent of chaos who will sit back and enjoy the show. Thompson’s subtle acting with her eyes, breathing or even just standing completely still make the film all the more effective. One of the best performances of the year as well as one of the most passionate ones.

Nina Hoss and Imogen Poots are both incredibly strong here as well, Hoss definitely gets the bigger part as she gives a volcanic performance that shows great deal of strength and range. Her chemistry with Thompson oozes with passion and immediately hits you with this electric type of feel. Much like Thompson, she’s able to portray a complex character brilliantly and in this way that will keep the viewer invested throughout the film.

The cinematography from Sean Bobbitt is absolutely wonderful here, what makes this a very interesting and clever case is the camerawork and how well the stories and emotions of the characters are told through the camera movements. Even when there are some scenes that do not have the writing to back them up, you have the clever use of the camera to back the film up and the results are genuinely beautiful. Due to this we get to see the performances shine front and center, with tons of attention to detail with the costumes and the many conversations that take place throughout the film.

The writing is sharp, very well blended together and has a lot of passion going on here. While it does take a bit to get going, the setup of the film is worth it and ultimately builds to a final act that is very worthy and fits the film like a glove. The atmosphere that is attached to the writing as well as the film’s world is rich and perfectly captures the “whodunnit” genre, it has this classic Hollywood feel that Tessa Thompson and Nina Hoss radiate throughout the film with each and every scene.

Overall Nia DaCosta lands her best film to date, it’s a confidently directed film with clever camerawork and excellent performances. It might have a slow start but once it gets going there is so much to absolutely fall in love with.

Hedda is available on Amazon Prime Video.

9/10 A

The Map That Leads To You (2025) Film Review

Heather embarks on a European adventure, her journey taking an unexpected turn when she meets Jack. Their encounter opens up new possibilities which neither had anticipated

The Map That Leads To You is directed by Lasse Hallström director of Casanova (2005), Dear John (2010), Safe Haven (2013), A Dog’s Purpose (2017), The Nutcracker and the Four Realms (2018) and many others.

It’s sort of unfortunate that The Map That Leads To You released the exact same month as My Oxford Year a film where they both follow pretty similarly from one another. I did not give My Oxford Year a full review simply because there was just not a whole lot to say, luckily The Map That Leads To You has a little bit more meat on its bones and is actually executed slightly better. That does not make it a good movie, but it at the very least there’s something a bit more here.

For the most part I truly think this was just an acting showcase for Madelyn Cline because she does a splendid job here and has great chemistry with KJ Apa, unlike My Oxford Year you actually buy that these two in this film really care for one another. It’s the bare minimum but little moments go along with helping the movie move along. KJ Apa is also not bad here as well, I don’t think he’s quite as good as Cline is but he does get a few moments to show he can make the material into something somewhat interesting. Cline and Apa both take material that would otherwise be incredibly familiar and manage to bring the viewer along for the ride. Sure that ride might not be exactly great but their performances are enough to keep some interest.

As I said before the film’s story is almost exactly like My Oxford Year, it’s slightly better written and has acting, but a lot of the same cliches are there and unfortunately that’s what keeps this movie down. If you have seen any straight to streaming romantic drama you probably already have good guess to how the characters are going to act. The scenery is undeniably beautiful combined with the filming that is actually not bad for a straight to streaming film, however beautiful scenery can’t help turn a bland script into something great.

The emotional connection is there but barely, it takes a while to fully get invested simply because of how dull the script really is. It’s mainly thanks to Cline and Apa that this is even possible, had the writing been a lot stronger and the direction been a bit more striking there could have been interesting results here.

What we are left with is a below average romantic drama that has solid acting and scenery but that’s really about it. There isn’t anything downright offensively bad here, it’s just a whole lot of nothing that really fails to bring anything new to the table.

The Map That Leads To You is available on Amazon Prime Video.

5/10 C

War Of The Worlds (2025) Film Review

A computer security analyst working for the U.S. government finds his daily life disrupted by an alien attack. Accustomed to dealing with virtual threats, his struggle extends to secrets the government may be hiding.

War Of The Worlds is directed by Rich Lee which is directorial debut. The film is based on H.G. Wells’s 1989 novel The War Of The Worlds.

We all know what The War Of The Worlds is, it’s a classic story when it comes to science fiction. There’s been plenty of film and TV adaptations ranging from varying degrees of quality, I have not seen all of them (and quite frankly don’t plan on it) but War Of The Worlds (2025) is a very special case. It’s one of those films that is so bafflingly bad that you start to ask yourself “is this movie even real?” You know a film is going to be terrible when 6 days before release the trailer gets sent out and is met with so much laughter due to how terrible it looks, the tagline for the movie is “it’s worse than you think” and wow that is incredibly accurate…

For starters Ice Cube gives one of the most bafflingly bad performances in recent memory, Ice Cube is normally pretty okay as an actor but with this movie there is not one single moment where his acting connects with the viewer or even himself. For a large majority of the movie it seems like Ice Cube is confused and lost, maybe that’s due to the terrible screenplay that completely misunderstands the whole screenlife genre that the movie is going for. The conversations that Ice Cube has with the rest of the cast are about as good as when the teacher in your early morning english or reading class would ask you to read a part of the book you are reading for the class. It’s some of the worst line reading you could imagine, there were moments where my jaw was on the floor due to how much of not caring there really is here.

I mentioned this earlier but this movie goes for a screenlife approach, you know films like Searching (2018), Host (2020), Unfriended: Dark Web (2018) and a few others? Making a screenlife War Of The Worlds adaption is not a bad idea. In fact that’s a pretty interesting concept that combined with the science fiction elements could actually make for a decent movie….unfortunately the movie does not do any of that well at all. A large problem here is that there’s heavy Amazon product placement which almost immediately takes you out of the movie (if you were even invested to begin with) and it really sticks out like a sore thumb. The whole screenlife element while may look cool really does not get used in any unique ways, it really seems like screenwriters Kenneth A. Golde and Marc Hyman had absolutely no idea how to make the concept work despite having a lot of the right material in front of their faces.

Finally the movie itself is just painfully hard to sit through, a majority of the characters are terrible and are only there to be killed off hence why I haven’t really mentioned the rest of the case besides Ice Cube. The story itself goes in a very predictable direction that if you watch the first 10 minutes you can easily tell what happens and the CGI is laughably terrible some of the worst you will ever see from a movie this year.

I’m not sure what else there is to be said about War Of The Worlds it completely fails both as an adaption and as its own film, this is definitely one of those movies where it kind of must be seen to be believed. If you like terrible films that are so bafflingly bad then this might be for you.

War Of The Worlds is available on Amazon Prime Video.

No good qualities just absolute garbage F

Another Simple Favor (2025) Film Review

Stephanie Smothers agrees to travel to Italy to be the maid of honour for the devious and cunning Emily Nelson. However, she soon suspects Emily’s good will is part of an elaborate plan for revenge.

Another Simple Favor is directed by Paul Feig director of Bridesmaids (2011), The Heat (2013), Spy (2015), Ghostbusters (2016), A Simple Favor (2018), Jackpot (2024) and a few others. Another Simple Favor serves as a sequel to A Simple Favor (2018)

A Simple Favor (2018) is a film that I actually quite liked, I may not like it as much as when I first watched it but it’s still quite fun, has this humorous yet thrilling atmosphere and has some pretty solid performances from Anna Kendrick and Blake Lively who really sell the movie incredibly well. So I was interested when a sequel was announced mainly because I wondered where they could exactly go from here…this is not what I expected at all and not really in a good way.

Much like the first movie Anna Kendrick and Blake Lively steal the show here, their chemistry is just as solid as it was back in the first movie. The best moments always involved one of the two and the dialogue exchanges between the two are genuinely funny at times, Blake Lively actually plays a pair of twins with a dual performance (seems to be a common theme we are running into this year.) She plays Emily Nelson or Hope McLanden (from the first film) and Charity McLanden, Lively does a pretty solid job playing both performances here. There’s some genuinely entertaining moments that admittedly did give me a few laughs.

The costume design is the other part this movie nails, costume designer Renee Ehrlich Kalfus sticks with the theme and setting of the film and manages to create some admittedly quite stunning works. Particularly with Blake Lively which really captures her characters incredibly well, combine that with the production design from Martin Whist and the cinematography from John Schwartzman and you have yourself a surprisingly beautiful looking film. Considering how a lot of straight to streaming films tend to really struggle with trying to bring out a certain style or be visually appealing, this was a surprise and solid accomplishment.

Having that said what completely stops Another Simple Favor dead in its tracks is the writing, I actually thought the first bit of the film does a pretty decent job of setting up the atmosphere of the film then when we get to the third act that’s when things get incredibly ridiculous. This is like if you took Glass Onion: A Knives Out Mystery (2022) and instead of having the fun atmosphere you replace it with a very poorly written murder mystery that is nonsensical, admittedly there are times where it is so ridiculous that I bursted out laughing. But when it comes to a writing standpoint it’s a complete and total mess.

I get why they did this, they clearly wanted to avoid just repeating the first film again. Whereas the first film was more grounded, creative and fun (not in a completely over the top way), Another Simple Favor really jumps the shark constantly and leaves the viewer with a “what on earth just happened” and not in a good way. Everything is lazily thrown at the wall to see what sticks with barely anything doing so, the movie for some reason decides to make itself more complicated when it does not need to be and the dialogue from the other characters is forgettable.

Overall Another Simple Favor is a bad sequel, but you could do far worse. The third act for some can be a so bad it’s hilarious type of thing and in some cases it is. But when compared to the first film and when you take a look at the writing it’s a major step down.

Another Simple Favor is available on Amazon Prime Video.

4/10 D+

G20 (2025) Film Review

When terrorists take over the G20 summit, US President Danielle Sutton uses her governing and military experience to defend her family, fellow leaders, and the world.

G20 is directed by Patricia Riggen director of Under The Same Moon (2007), Lemonade Mouth (2011), Girl in Progress (2012), The 33 (2015) and Miracles From Heaven (2016)

I will give G20 this, it’s not as bad as expected and that’s mainly due to Viola Davis carrying this movie to the finish line. There’s some decent moments every now and then but ultimately this is just yet another Die Hard (1988) clone mixed with Olympus Has Fallen and White House Down (2013)

The performances are not bad here, in fact they are probably the best thing the movie has going for it. Viola Davis gives a great performance that really keeps the movie rolling along, her role here as Danielle Sutton the U.S. President might not be one of her excellent roles. But it’s clear that Davis tried with what she could with such a generic script, Anthony Anderson is pretty decent here as well although much like Davis really can’t fully flesh out the role due to the script.

Unfortunately what kills G20 almost immediately is the script, it’s a very basic Die Hard (1988) knock off that is not doing anything new or even exciting. There are some nice bits between the Sutton family but they are so far and few in between that it fails to get the viewer to engage with their bond. The lack of the emotional bond between the family is due to a lot of underdeveloped characters leading to a lot of one-dimensional characters who are only really there as plot devices or walking and talking cliches.

The action scenes are not terrible but they lack a lot of passion and very much feel like they were slapped together at the last minute, the movie’s focus on throwing in as many buzzwords such as AI and cryptocurrency into the plot without even exploring them is incredibly obnoxious and does not lead into anything investing. It’s all incredibly surface level discussion that really does not add to anything and the end result is an uninspired take on the political action genre.

There really is not much more to say about G20 despite Viola Davis trying her hardest to really keep this one afloat, the movie sinks itself for being way too cliched and offering nothing new to the genre. This is once again another example of release date fodder.

G20 is available on Amazon Prime Video.

4/10 D+

Holland (2025) Film Review

Teacher and homemaker Nancy Vandergroot’s picture-perfect life with her husband and son in Holland tumbles into a twisted tale. Nancy and her colleague become suspicious of a secret, only to discover nothing in their lives is what it seems.

Holland is directed by Mimi Cave director of Fresh (2022).

Holland is one of those movies where you just have to ask yourself “what on earth happened here?” I loved Mimi Cave’s directorial debut Fresh (2022) it was disturbing, had some strong dark humor and the acting was top notch as well. So I was excited to see what Cave would do next, I had a lot of hope for this one due to Cave in the director’s chair as well as the cast. Unfortunately this movie is a major step down from Fresh (2022) and is just a complete and total mess in every way possible.

The best part of this is the acting, while none of these performances are anything groundbreaking. Nicole Kidman, Jude Hill and Gael García Bernal turn in decent enough performances that at least make some parts of the movie tolerable. Kidman does a lot of heavy lifting with a lot of scenes, it’s a shame the script is such a mess because Kidman fits in a movie like this and would deliver such a better performance had the script actually been coherent. It’s worth noting that Rachel Sennott appears for 2 minutes of the movie at the beginning of this mess and is never seen again.

Everything else about this movie is as I said before a complete and total mess and that mainly comes from the writing, the story is jumbled together like a Frankenstein’s monster type of mess. The twist is something you could predict within the first 15 minutes, the story leads to a thoroughly dull investigation that has absolutely no sense of tension or thrills. It’s the most bland route this movie could have gone and it unfortunately turned to that route.

The movie attempts to explore this theme of revealing darkness hiding beneath the exterior of a suburban paradise, which is a fun concept but it’s been done so much better before there’s absolutely nothing different here that’s done with the idea. Some of the shots of the film and music try to create some sort of atmosphere to complement the darkness, but it just does not work at all due to the movie’s pacing being a slog which in turn takes away the viewer’s focus as well as the supposed darkness.

It’s unfortunate because Holland could have been a really great film, but unfortunately the writing severely holds this one back from greatness and gives these talented actors very little to work with. This is by far the most disappointing movie of 2025 so far.

Holland is available on Amazon Prime Video.

3/10 D-

Picture This (2025) Film Review

Struggling photographer Pia is told she’ll find true love and career success within the next five dates she goes on. With her sister’s wedding looming and her family playing matchmaker, her ex soon reappears, throwing her life into chaos.

Picture This is directed by Prarthana Mohan director of The Miseducation of Bindu (2020), All For Her (2021) and Christmas Is Cancelled (2021).

Not a whole lot to report here, Picture This is the first thing you think of when somebody talks about how forgettable a lot of streaming movies are. Outside of a few performances and the cultural aspects that do help this movie at least have some sort of identity. The movie is very much a forgettable romantic comedy that you will forget about after viewing.

The performances I will say are a lot better than you would think, Simone Ashley is easily the standout with her natural charisma and her ability to give her character Pia some actual depth (all be it not anything groundbreaking) is easily the movie’s best asset. Her chemistry with Luke Fetherson (who plays Pia’s best friend Jay), ends up leading to some of the movie’s most enjoyable moments. While not completely original their dialogue at the very least is more engaging than the rest of the movie’s formulaic plot.

Hero Fiennes is fine enough here, but unfortunately the dialogue doesn’t give the necessary character development or chemistry with Simone Ashley to make his character Charlie (ex-boyfriend of Pia) work at all. The only thing we are given about him is the typical cliches the genre likes to throw at the viewer, upon immediately seeing his character you already have a good idea of where the movie is going to go with Charlie.

Everything else is incredibly bland unfortunately, while there is some vibrant depiction of the Indian wedding festivities which adds color and cultural richness. The rest of the filming really doesn’t standout and absolutely suffers from the low budget feel, it feels like it needed more of a stronger push to pop out but can’t quite do it. The writing is about as bland as you can really get with romantic comedies, while not terrible (this actually fairs a bit better than some straight to streaming romantic comedy films when it comes to writing.) but that still does not give the movie the power it needs to reach the finish line.

Overall Picture This isn’t the worst attempt but it’s definitely one of the most forgettable, Simone Ashley’s charming performance and the few moments of potential aren’t enough to save this movie from being forgettable.

Picture This is available on Amazon Prime Video.

4/10 D+

You’re Cordially Invited (2025) Film Review!

A woman planning her sister’s ideal wedding and the father of a bride-to-be discover their destination weddings at a remote resort are double-booked. When both parties decide to share the small venue, chaos ensues and disaster awaits.

You’re Cordially Invited is directed by Nicholas Stoller director of Forgetting Sarah Marshall (2008), Neighbors (2014), Neighbors 2: Sorority Rising (2016), Bros (2022) and a few others.

You’re Cordially Invited is very much a bad early 2000s romantic comedy movie that somehow ended up releasing in the 2020s, while it’s not one of the absolute worst out there (trust me they could have done a lot worse) this movie suffers from some of the exact same problems as a lot do in the genre.

I will say for the first 30 minutes or so the movie actually had a promising start, the jokes were decently funny, Will Farrell was giving a genuinely touching performance as a father who desperately wants to make his daughter’s marriage the best it can be. Geraldine Viswanathan was actually not bad here in the supporting role, she gives a genuine performance that isn’t really affected from the movie’s over the top style it tries to use for the rest of the movie. It’s not a mind blowing performance by any means but it is a decent one that does make you feel invested towards her.

Unfortunately the rest of the movie goes towards a very over the top style that was common in the 2000s, sometimes it worked other times it didn’t and here is an example of it NOT working. Will Farrell’s usual shtick appears that takes so much away from his character and turns him into familiar territory that we have already seen Farrell do before. Reese Witherspoon is fine enough of here but much like Farrell doesn’t really do anything we haven’t seen her do before.

The writing is filled to the brim with predictable plot elements, terrible jokes and it becomes incredibly cliched. It’s also one of those movies where it does not know when to end, there’s so many points where the movie could have easily ended as all of the plot points were wrapped up but it still kept going on and on. There’s absolutely no reason why this needed to be 109 minutes long, stretching a romantic comedy like this is already asking for issues to arise but to cram in as many gags that go on for way longer than they should seals the movie’s fate.

Overall You’re Cordially Invited is incredibly forgettable, while it’s not the worst romantic comedy out there it is one of those movies where you put it on in the background while doing chores and don’t think much of it.

You’re Cordially Invited is available on Amazon Prime Video!

4/10 D+

Canary Black (2024) Film Review

Avery Graves, a CIA operative, is blackmailed by terrorists into betraying her own country to save her kidnapped husband. Cut off from her team, she turns to her underworld contacts to survive.

Canary Black is directed by Pierre Morel director of Taken (2008), The Gunman (2015), Peppermint (2018), The Ambush (2021), Freelance (2023) and a few others.

Oh Pierre Morel you made Taken (2008) a really good action film and never had that home run when it comes to action movies again. Canary Black is arguably his worst movie to date, think of the most cliched and terrible action thriller spy movie and the end result is Canary Black.

Kate Beckinsale is by far the best part about this movie, she actually gives a surprisingly decent performance that really makes you wish the movie itself was a lot better. The late Ray Stevenson is also pretty decent. There’s a few action scenes that are fine enough especially given this was a movie that was immediately sent to streaming.

Having that said the rest of the movie is so painfully bare bones that it hurts, as I said before it’s about as cliched as you can get. Running through a ton of bad guys without the elements that make a good action thriller spy movie, sure there are some decent action scenes every once in a while . But that’s all you really get, the writing is terrible and about as predictable you would expect, the characters are bare bones and have no real personalities outside of what’s given to them and the pacing is so incredibly slow that this movie feels far longer than 101 minutes.

I’m not sure what else I can really say? This is the very definition of release date fodder, a movie that the studio put out there because they needed something to fill in the gap.

Canary Black is available on Amazon Prime Video

3/10 D-