In The Lost Lands (2025) Film Review

A witch travels to the Lost Lands in search of a magical power that allows a person to transform into a werewolf.

In The Lost Lands is directed by Paul W.S. Anderson director of the Resident Evil film franchise (2002-2016), Event Horizon (1997), Mortal Kombat (1995), Alien Vs. Predator (2004), Pompeii (2014), Monster Hunter (2020) and a few others.

Paul W.S. Anderson is back and with his same old shtick, a terrible post-apocalyptic movie starring his wife Milla Jovovich. He’s done this multiple times with the Resident Evil films and Monster Hunter (2020) in particular. In The Lost Lands somehow ends up being far worse than any of the movies mentioned, mainly due to the movie having no personality behind it at all and being a complete and total mess. 

The performances here are mostly terrible, occasionally Milla Jovovich and Dave Bautista will have moments that attempt to elevate the material. But unfortunately those moments are far and few between to even really matter in the end, the acting results in some incredibly awful dialogue that have the energy of NPCs from an early 2000s video game. The writing is incredibly poor, we don’t learn anything of note about the characters at all outside of cliched elements that you have come to expect. The movie’s world is about as bland as you can get from these post-apocalyptic movies, there’s very little atmosphere that drives the viewer into the movie. It’s all incredibly stale and lacking in personality, it feels a lot like any of Anderson’s previous movies just somehow worse. 

The movie itself right from the start is a jumbled mess, within the first few minutes it feels like the movie is throwing you in the middle of the second act. The viewer feels like they are missing a lot of context or wondering if there were supposed to be extra scenes here but were cut for some reason (I had these same thoughts as well.) This is exactly the sort of mess you would expect from one of these poorly rated action films that came out in the 2000s, you know the ones with barely a coherent plot, choppy editing and laughably bad filmmaking wise? Whereas those movies at least have some charm and could be laughed at, In The Lost Lands does not have any of the charm at all and only has a few moments of unintentional humor It’s a dull and uninteresting mess that does not have any sort of fun with itself at all. 

The movie itself is also incredibly ugly to look at, I get what they were going for here but none of it works. The desaturated colors are not appealing here at all and feel more like they are trying to replicate Sucker Punch (2011) only that while the movie itself wasn’t exactly great at least stylistically it made sense as to why it looked like that (and had story reasons as well.) In The Lost Lands just feels like it saw what Zack Snyder did and then tried to replicate without thinking as to why it for the most part worked for Snyder. 

There really is not much more to be said here, In The Lost Lands is yet another terrible movie from Anderson. As I said before it’s almost identical to his other films, even if you are someone who enjoyed his Resident Evil films you will not get anything out of this one. 

In The Lost Lands is available on all VOD platforms.

1/10 F

Freaky Tales (2025) Film Review

An NBA star, a corrupt cop, a female rap duo, teenage punks, neo-Nazis and a debt collector embark on a collision course in 1987 Oakland, Calif.

Freaky Tales is directed by Anna Boden and Ryan Fleck both of which directed Sugar (2008), It’s Kind Of A Funny Story (2010), Mississippi Grind (2015) and Captain Marvel (2018) while Fleck also directed Half Nelson (2006). 

I knew very little about Freaky Tales going in, the only thing I knew was the incredibly large cast in the film which is only one of the main reasons why Freaky Tales works as well as it does. It’s anthology movie that is not afraid to be as bizarre as possible, a lot of what makes a great anthology film is present here. There’s a heavy Creepshow (1982) and Tales From The Hood (1995) feel here that completely works in the film’s favor. 

As always with these anthology films I’ll talk a bit about each segment and then give my final thoughts of the overall film at the end so let’s start with the first segment. 

The first segment is straight to the point, it’s punk rockers vs neo-Nazis. Subtlety is thrown out the window but in this case in a good way, the filming style is wild and the writing is loud, exciting and a blast of fun. Ji-young Yoo gives a strong performance here that really compliments the atmosphere being shown. The exaggerated violence, callbacks to grindhouse cinema and the score all blend together to create something truly exciting. The rebellious tone captures the theme of the segment incredibly well, some might argue that the segment lacks in depth and while that is true. All you really need here is the energy and atmosphere to really do the talking and it does that very well. Not anything mind blowing but a whole lot of fun that is a huge adrenaline rush.

The second segment dials things back a bit, we follow ice cream workers and aspiring rap artists Barbie (played by Dominique Thorne) and Entice (played by Normani), the main reason this segment works so well is due to the performances from Thorne and Normani. They both have such excellent chemistry and charm that they bring to the film, Normani should strongly consider doing more acting because she really stands out being one of the film’s best assets. The climatic rap battle scene is also one of the film’s best moments, not only is the battle itself so much fun and well written when it comes to songwriting. But there’s this theme of triumph and even some gender barriers in the industry, the segment might not break any new ground but it does capture the atmosphere the film is asking for which ends up letting this one reach the finish line! 

The third segment is an acting showcase for Pedro Pascal who does such an incredible job here, what we get here is this interesting noir type of short. A hitman named Clint (played by Pedro Pascal) is looking to exit the business after a tragedy at home. Where is the atmosphere for the first two segments were more exciting (different levels of it) this one is much more quiet, we get to see the mind of Clint and how guilt and grief are taking over him. Pascal shows this with his facial acting particularly with his eyes that look incredibly haunted from the events throughout the segment. The late Angus Cloud also gives a strong performance here (this was his final performance) even if it is not that long, he still leaves an impact and his conversations with Pascal help further segment in its theming. There’s this theme of what does it take to walk way from violence when it’s been apart of you for so long? It’s an incredibly haunting theme that really works with Pascal’s acting and the atmosphere, combined together it makes for an excellent segment. 

Lastly we have fourth segment, which has Sleepy Floyd (played by Jay Ellis) who is a NBA legend that turns into a sword-wielding vigilante after a huge loss. This is by far the most bizarre of the segments, delivering fight choreography that is very exaggerated and oozing with stylization. It’s a revenge fantasy that we do not get a whole lot of depth outside of why it’s happening, it very much feels like a bizarre Adult Swim show and for what the film is going for I would say it works. I will say it definitely is the weakest out of the four segments but that’s not entirely a bad thing when each of the segments all pass the “good” line. 

Freaky Tales is truly a blast of fun, I absolutely admire the decision of going for very different feels and styles. This is something a lot of anthology films mess up on most of their segments feel almost identical which makes a lot of them fail to standout by the time the movie ends.Freaky Tales avoids this and keeps each segment incredibly interesting with different goals, style choices and the atmosphere they want to capture. It leads to a lasting impression on the viewer and can form discussion on which story you liked the most. When you combine that with some fantastic acting and writing you have yourself such a fun film that really goes all out. 

Freaky Tales releases tomorrow in theaters. 

9/10 A

Cleaner (2025) Film Review

Hoping to expose corruption, radical activists take 300 hostages at an energy company’s annual gala in a high-rise building. Their cause soon gets hijacked by an extremist within their ranks who’s ready to kill everyone. It’s now up to a former soldier who works as a window cleaner to save the hostages trapped inside, including her younger brother.

Cleaner is directed by Martin Campbell director of The Mask Of Zorro (1998), Beyond Borders (2003), The Legend Of Zorro (2005), Casino Royale (2006), Edge Of Darkness (2010), Green Lantern (2011), The Foreigner (2017), Memory (2022) and a lot of others. 

Cutting right to the chase Cleaner is very much a Die Hard (1988) clone not a terrible one mind you but still a clone. It’s mainly thanks to the performances especially from Daisy Ridley and the action scenes that are decent enough that save this movie from not completely sinking.

As mentioned earlier the performances are great here, Daisy Ridley especially who is very committed to her role and is a lot of fun here. Her character Joey’s bond with her older brother Michael (played by Matthew Tuck) is genuinely touching, I do also give credit where credit is due they actually did cast an autistic actor in this case Matthew Tuck to play an autistic character. Tuck gives a solid performance who admittedly does not get a whole lot to do since he’s a hostage but he takes advantage of the time he gets. Ridley is also really solid in the action scenes as well, the role itself is kind of whatever but Ridley in the end makes it work. 

Clive Owen and Taz Skylar are both pretty solid here as well, Owen is a bit wasted here unfortunately since he only gets a handful of scenes. Skylar however plays this sadistic character Noah who messes with Joey throughout the movie, it makes for a great standoff when they eventually do fight and creates some level of atmosphere and tension especially with the action scenes. 

What weighs this one down is the script, Campbell attempts to tackle the theme of corporations and their impact on the environment but it’s tackled in such a bare bones way especially with how the movie goes about executing it. When you combine that with the movie just being yet another Die Hard (1988) clone there really is not any room to do anything completely interesting, it’s a shame to because the actors are really going all out with their performances. But unfortunately there’s just not a whole lot to work with and it ends up being a movie that isn’t necessarily terrible it’s just one of the many clones out there that’s doomed to be forgotten. 

Overall you can do a lot worse than Cleaner but this one is largely forgettable. Great performances, decent moments and action scenes can’t save this movie from its very cliched beats. 

Cleaner is available on all VOD platforms.

5/10 C

Batman Ninja vs. Yakuza League (2025) Film Review

Batman and his allies battle to save Gotham from the Yakuza League, a group of superpowered individuals resembling the Justice League.

Batman Ninja vs. Yakuza League is directed by Junpei Mizusaki and Shinji Takagi. Mizusaki previously directed Batman Ninja (2018) and Takagi previously directed Steamboy (2004). The film serves as a sequel to Batman Ninja (2018). 

Batman Ninja (2018) I always found to be one of the better DC animated films to come out in recent years, so I was pretty interested (kind of surprised as well) that a sequel was actually coming out. While it’s not as good as the first movie simply because the idea was more fresh with the first movie. I do think Yakuza League is a pretty solid sequel that continues to use the bizarre idea in an interesting way! 

Much like the first film the voice acting and the animation style is pretty great. The anime references thrown in this time around are charming and add to the style, it never becomes way too much instead it adds details to the characters which have some quite interesting designs such as Wonder Woman, Green Lantern and Aquaman with their Yakuza counterparts. 

The story is just as fun as it was with the first film only I would argue this one is a bit more self aware, which does lead to some decently fun sequences and styles. Some editing styles reminiscent of Shonen anime and Japanese TV shows of the 70s and 80s, that does take away from some character arcs especially towards Batman’s family. But it’s a fair trade off considering that the rest of the film is quite decent with how the idea is executed. 

The action scenes are fun, creative and pop out incredibly well, the dialogue holds the viewer’s interest throughout the film. There isn’t anything mind blowing going on here, some of the characters like Joker and Harley Quinn feel a bit shoehorned in (Joker really isn’t as interesting as a character as he was in the first film.) the movie does admittedly start to lose a bit of steam towards the end, but at the very least the movie does not overstay its welcome with a runtime of 89 minutes it’s enough to get to the point and wrap things up at a nice pace. 

Overall Batman Ninja vs. Yakuza League is a bit weaker than its predecessor but still manages to keep the qualities of what made the first one great. If you liked the first film you will probably like this one as well.

Batman Ninja vs. Yakuza League is available on all VOD platforms.

7/10 B

Captain America: Brave New World (2025) Film Review

Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan.

Captain America: Brave New World is directed by Julius Onah director of The Girl is In Trouble (2015), Cloverfield Paradox (2018) and Luce (2019). The film is the fourth installment of the Captain America films, a continuation of the miniseries The Falcon and the Winter Soldier (2021) and is the 35th film in the Marvel Cinematic Universe.

While I don’t think Captain America: Brave New World is one of the absolute worst in the MCU, it is definitely one of the most bland. From the lack of character development from a lot of its characters, to saying next to nothing about its own politics. The movie is a giant mess that has its positives but ultimately is a misfire.

I will say that the performances here are not that bad, Anthony Mackie has always been pretty solid when it comes to the MCU films and here is no exception. While Sam Wilson does not get the development he deserved, Mackie has a lot of charm which is able to be shown at times which are easily some of the movie’s best moments. However the writing really stops him from building Sam Wilson further as a character, wooden dialogue and bland plot points really don’t do Wilson any favors at all. 

Despite Danny Ramirez being benched during the later half of the movie I do think the scenes he shares with Anthony Mackie are genuinely great, they have nice chemistry and those moments (one in particular at the end) are genuinely touching. It’s such a shame Ramirez’s character Joaquin Torres is just tossed aside midway through the film and doesn’t really grow as a character, he does have his moments but it’s not really enough to say that his Torres grew as a character. 

Harrison Ford as Thaddeus Ross or Red Hulk is not bad here, this is by no means one of Ford’s greatest performances. But I do think considering the script he was given he did the best he could with it and squeezed out some great moments, Red Hulk as a character was fun and the action scenes between him and Sam Wilson are by far some of the movie’s best moments. They aren’t anything crazy but they are simple and straight to the point, it’s filled with Hulk rage that leaves destruction basically anything you can really ask for. It’s just a bit of a shame this happens way too late. 

As for the rest of the characters they are all either forgettable or don’t have the writing to back them up. Giancarlo Esposito gives a fine performance here but his character Sidewinder barely does anything, he shows up for a couple scenes and that’s it. Tim Blake Nelson as Samuel Sterns was nice to see but the movie fails to make him a compelling villain, a lot of the writing really makes him come off as a “generic bad guy with very typical goals” 

The main issue here is the writing, the movie attempts (at least I think it does) to try and build Sam Wilson as a character but as I said earlier the movie lacks the firepower to do the job, instead he’s reduced to a very standard hero that really does not have any interesting character moments. Sure Wilson is likable but the movie doesn’t give any sort of reason to really care about any of these characters. The story jumps all over the place with several scenes feeling incredibly rushed and put together at the last minute, while the action scenes are actually great and put the movie back on track at some points. There’s just a lot of meandering that takes a lot away from these moments. 

There really isn’t much else to say here, Captain America: Brave New World definitely had the potential to be a big step for Sam Wilson, instead it feels like a whole lot of nothing was said, with very little explored about these characters or their stories. 

Captain America: Brave New World is available in theaters.

4/10 D+

Love Hurts (2025) Film Review

A realtor is pulled back into the life he left behind after his former partner-in-crime resurfaces with an ominous message. With his crime-lord brother also on his trail, he must confront his past and the history he never fully buried.

Love Hurts is directed by Jonathan Eusebio which is his directorial debut. 

I was excited about this one because of Ke Huy Quan being in the lead role, he’s one of those actors where it’s next to impossible to not root for him. He seems like a genuinely nice person who clearly has a love for film and is very thankful, so it’s incredibly disappointing to see how much of a mess this movie really is. 

Ke Huy Quan really tries his best with the script but he can only do so much, occasionally there’s one or two jokes that land which is mainly due to Quan’s charm and I do appreciate the enthusiasm he brings to a very familiar character. But for the most part it’s a complete miss, the chemistry between him and Ariana DeBose is bland and fails to even really be romantic. Ariana DeBose is in another role that doesn’t allow her to show her ability as an actress, she’s given such a cliche and underwritten character part that ultimately the viewer forgets by the end of the movie. 

Marshawn Lynch is quite honestly the film’s best part, sure his character is really nothing more than “funny henchmen” but he is clearly having a blast and he’s kind of just doing his own thing which leads to the film’s few good comedic moments. 

The writing is what completely breaks this movie, it’s not romantic nor is it funny. It’s a huge mess that doesn’t utilize its elements, especially when it comes to characters. Most of the supporting characters are there for nothing more than terrible jokes, cliches or just to fill in some gaps. 

Some of the action scenes are fine enough combined with violence there was actually a lot of potential to do something interesting with it here, but what ruins it is the sloppily put together set pieces that really don’t have any distinctive style. Nothing really stands out at all unfortunately, it very much feels like an early terrible 2D fighting video game where it has no really push to it at all. Quan’s fighting choreography can only do so much before the action scenes become incredibly bland. 

Overall I’m just more confused than anything else, Love Hurts leaves a lot more questions than answers a couple of them being “what exactly happened here?” How does such a simple concept lead to such a cobbled together mess that wastes so many talented actors and actresses? By far the most disappointing movie of 2025 so far. 

Love Hurts is available on all VOD platforms.

3/10 D-

Flight Risk (2025) Film Review

A U.S. marshal boards a small plane to transfer a government witness to New York. As they cross the Alaskan wilderness, tensions start to rise as not everyone on the flight is who they appear to be.

Flight Risk is directed by Mel Gibson director of The Man Without a Face (1993), Braveheart (1995), The Passion Of The Christ (2004), Apocalypto (2006) and Hacksaw Ridge (2016). 

Say what you will about Mel Gibson as a person but as a director he can really direct incredibly well and he’s shown that quite a few times now…so what happened here? Flight Risk is a baffling mess that even when the trailer came out I could not believe this was from Gibson and the trailer was just scratching the surface. 

The performances are already in competition for worst of the year Michelle Dockery is the best here but that’s not saying much at all, she’s still incredibly bland especially during what are supposed to be the more thrilling moments including when backstory elements are revealed. Topher Grace’s character is just annoying here, his back and forth with Mark Wahlberg was funny (unintentionally) for maybe about 5 minutes before it started to get old. Then there’s Mark Wahlberg who gives an atrocious performance combine that with an awful wig, with going way too over the top every 5 seconds and you have yourself a performance that makes you question how on earth did somebody approve of this. The line delivery, chemistry and such from all three of them is just not there at all, the delivery is terrible and somehow gets even worse as the movie goes on. The moments where the movie is trying to have some back and forth between the characters completely misses due to the huge lack of chemistry and all 3 failing to bounce off of each other.

The writing is horrendous, the line “Y’all need a pilot?” is as bad as you saw it in the trailer but would you believe me if I said that it somehow gets worse from there? None of it is engaging, suspenseful or striking it’s all incredibly awkward and does not have a lick of thought put into it, this leads into an atmosphere that is incredibly lacking. There is no suspense present throughout the movie, any sort of attempt to try and bring some suspense into the mix is almost immediately met with terrible dialogue that takes the viewer right out of the movie. This seems like the movie is trying to capture the classic cheesy one liners of 80s action films but completely misses the point on why those actually worked, where as those movies did not take themselves seriously. Flight Risk does and that’s the main issue, everything that happens in this movie gets more ridiculous after the next and not in a good or fun way. 

Lastly the movie’s visuals, editing and pacing are terrible, the cinematography is ugly with several shots unpleasing to look at. The editing is choppy lacking a proper flow and the pacing is just a giant mess, it’s 91 minutes long but feels way longer than it really is. In fact there’s moments where the movie could have easily wrapped up but instead decided to pad out as much as possible. 

Overall Flight Risk is atrocious, outside of a few unintentionally funny moments this movie has nothing going for it. I’m not exactly sure which is more baffling, the film’s quality or the fact this was directed by Mel Gibson.

Flight Risk is available on all VOD platforms.

1/10 F

Dark Match (2025) Film Review

A small-time wrestling company accepts a well-paying gig in a backwoods town only to learn that the community is run by a mysterious cult leader with devious plans for their match.

Dark Match is directed by Lowell Dean director of Wolfcop (2014), Another Wolfcop (2017), 13 Eerie (2013) and a few others. 

I had no idea what to expect going into Dark Match, the premise intrigued me enough to check it out. While there are some flaws here I do think it’s a genuinely interesting execution on the ideas the film is going for. 

Ayisha Isaac gives a solid performance here who turns it up to eleven quite quickly as the film goes on, the rest of the performances such as Steven Ogg are decently fun as well. There really isn’t anything groundbreaking here it terms of performances but there really does not need to be, you can tell that the cast had a blast creating this interesting story that does get the viewer invested early on.

The mix of wrestling and horror is what makes the film standout mostly, it’s executed in a way that has just the right amount of atmosphere and even has a surprisingly heartfelt look at wanting to survive in the world of amateur wrestling. Granted the screenplay’s pacing does have its issues where it does take a bit to really get into the point of the film. But the film does reward the viewer for their patience with some genuinely strong scenes that you soak in while watching. 

The film does feel a lot like Jeremy Saulnier’s Green Room (2015) and while that is very much the case the film also does manage to do its own thing and executes it’s ideas in its own way, the cinematography from Karim Hussain is absolutely gorgeous and the focus on gore blended with it really matches the atmosphere and world this film is going for. There’s some shots here that do a lot of the talking, they aren’t grand moments by any means but they do compliment what you are seeing on screen. 

The character development does feel a lot to be desired and I do wish we got to explore a bit more of the film’s world. However as it stands there was clearly a lot of love put into the film and the end result does few like a nice little tribute to wrestling! 

Dark Match is available on Shudder.

6/10 C+

Den Of Thieves 2: Panera (2025) Film Review

Lawman “Big Nick” O’Brien gets embroiled in the treacherous and unpredictable world of diamond thieves as he pursues career criminal Donnie Wilson to Europe.

Den Of Thieves 2: Pantera is directed by Christian Gudegast who previously directed Den Of Thieves (2018). This film serves as a sequel to Den Of Thieves (2018). 

Den Of Thieves 2: Pantera could have easily been one of those sequels that felt like it came out way too late and just end up being forgettable. In some ways it is but for the most part I do think this is a pretty solid sequel, that may not do a whole lot different but there’s actually some surprisingly great bits here worth acknowledging. 

For starters I do think the acting this time around is actually quite great, a large part of what the film focuses on is chemistry which may seem odd given that the previous film was filled with action and such but it works here. Gerard Butler and O’Shea Jackson Jr. are given a real lot to work with here in the dialogue and they go all out. This is definitely one of Butler’s better performances in quite awhile, he’s able to really into his character Nicholas O’Brien (or Big Nick) and expand upon the character from the first film. There’s a decent amount going on here with the chemistry of the two and the conversations they have, it feels like natural progression for these characters and the film’s direction of where it takes these two characters is quite interesting. The supporting cast while great don’t have a whole lot to work with, this is very much the Butler and Jackson Jr. show, which in this context isn’t necessarily a bad thing but it would have been nice to see the rest of the cast have bigger moments and be more involved. 

Pantera is less action filled than the previous film, the action scenes that are here are very well done and take advantage of the atmosphere that the film builds. They aren’t quite as over the top or expansive as the first film but they are fun in their own way, especially the third act’s big heist showdown that is grand and really makes all the build up the film was creating worth it in the end. The suspenseful atmosphere and the chemistry between Butler and Jackson Jr. make it all the more satisfying when the third act rolls around. 

The main flaw mostly comes from the exact same problem the first film suffered from and it’s going on for a bit too long, to be fair this film isn’t as bad when it comes to that but it’s still a very noticeable problem. There’s filler here that really doesn’t serve the plot all that much that could have easily been trimmed.

However between the chemistry, third act and the surprisingly solid acting Den Of Thieves 2: Pantera at least has a lot going on here, it’s a film I may not ever return to (much like the first one) but I still do think it’s a satisfying film that accomplishes what it’s sent out to do! 

Den Of Thieves 2: Pantera is currently in theaters.

6/10 C+

Back in Action (2025) Film Review!

Former CIA spies Emily and Matt are pulled back into espionage after their secret identities are exposed.

Back in Action is directed by Seth Gordon director of Four Christmases (2008), Horrible Bosses (2011), Identity Thief (2013) and Baywatch (2017). 

I don’t think anyone should be surprised that a Netflix January action comedy ends up being terrible, the whole selling point of this movie was that Cameron Diaz came out of retirement from acting. Which that’s great we all love Cameron Diaz but coming out of retirement for this movie really leaves me with a lot more questions than answers. 

Cameron Diaz isn’t terrible here and is trying her best with the script given, but her performance is not exactly great here either. She’s capable of far better performances and here it just seems like we get almost absolutely nothing, a lot of what people love about Diaz as an actress is absent and feels more like “we got Cameron Diaz but everything that audiences love about her acting is not here.” 

Jamie Foxx falls in the same boat, while the chemistry between Diaz and Foxx isn’t bad and has a few sweet moments, it’s not quite enough to really save the movie. Jamie Foxx and Cameron Diaz are stuck with such a terrible script that tells horrible jokes and throws as many sequences at the wall with none of them sticking, Glenn Close is just kind of here and is nothing more than a poorly written side character. 

The movie itself as I said before is so poorly written, this is about as dull as you can get when it comes to action comedies. Everything that you expect is going to happen unfolds almost immediately, there’s no sense of direction with the plot being strangely convoluted for such a straightforward premise. The movie is also Spy Kids (2001) but instead of kids it’s adults, which doesn’t work mainly because 90% of spy films are already like that. Spy Kids at the very least had an audience in mind and is goofy fun even if the movie doesn’t hold up well, Back in Action is just a mishmash of terrible ideas and cliches thrown into a blender nothing more and nothing less. 

There really isn’t a whole lot else to say about Back in Action it’s a movie you are going to remember 30 minutes after watching and then move on. The only reason why this movie is known is because of Cameron Diaz coming out of retirement, without that this movie would not have gotten a single ounce of advertising.

Back in Action is available on Netflix. 

1/10 F