A Jazzman’s Blues has strong moments but is held back from an average script.

A tale of forbidden love and family drama unravels 40 years of secrets and lies in the deep south during an unsolved murder investigation.

A Jazzman’s Blues is Tyler Perry’s best film in a very long time, while the movie is very flawed I do have to respect him for getting a film that he considers a passion project that he wrote back in 1995 out there. Having that said the movie definitely shows that it was written back in the 90s, mainly through the script that while does have some pretty powerful moments ends up being empty in some areas. The movie tackles racism in the Deep South in the 20th century, plus you have a forbidden love story thrown into the mix as well. A lot of the movie kind of repeats things a lot of other movies have already done and far better when it comes to this topic, the jazz scenes are definitely electrifying and a lot of fun to watch as well. The performances are all around pretty solid especially during the last half of the movie where it gets brutal in one particular scene, the first half of the movie is a bit rough writing wise. While there some moments that build the Leanne (Solea Pfeiffer) and Bayou (Joshua Boone) as characters and their chemistry. A lot of other moments feel like they exist just to draw scenes out, the last half is definitely the strongest especially the conversations between Bayou and Ira (Ryan Eggold). Overall A Jazzman’s Blues is definitely not a bad movie by any means, it’s just one that had the writing been a lot stronger could have been much more.

A Jazzman’s Blues is available on Netflix.

5/10 C


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